
The arch closed the east side of the Court of the Universe and opened into the Florentine Court, and through it to the Court of Abundance. Barry's architect-guide described it as the Arch of Constantine and the Arch of Titus 'all over again.' But Todd notes a 'rather daring innovation': between the outer pairs of genii sat trios of jalousied Moorish windows, which gave the arch a feeling of depth and mystery, 'as though they were windows in the gate house of some forgotten Asiatic fortress.'
Its engineering was bold for timber. Buildings this size would ordinarily be steel, Todd notes, but western framers had long, heavy lumber, and both great arches were 'made of wood throughout,' built as post-and-truss boxes strong enough to carry the enormous plaster groups on top.
Literary inscriptions, chosen by Porter Garnett, gave the arch an Asian theme. On its east face, toward the Florentine Court, were passages from Firdausi of Persia, Zuhayr of Arabia and King Phra Ruang of Siam. High on the court side were Confucius ('They who know the truth are not equal to those who love it'), the Sanskrit poet Kalidasa, and the Japanese poet Hitomaro.
At a glance
- Built by F. Rolandi's firm as part of the Court of the Universe contract (Todd vol. 2).
- The great east and west arches took about 28 sticks of dynamite apiece, fired by one electrical contact (Todd vol. 5).
- About May 20, 1916, the arch was blown down and the Nations of the East 'bowed slowly forward in a long descending arc,' holding their positions until nearly on the ground (Todd vol. 5).
- Many thousand feet of serviceable lumber were salvaged from the wreck and stacked east of the Yacht Harbor (Todd vol. 5).


Afterward
Dynamited about May 20, 1916 (Todd vol. 5).
Sources
- Todd, The Story of the Exposition, vol. 2, ch. V (structure), chs. LIII–LIV, LXI
- Todd, The Story of the Exposition, vol. 5, ch. XXXVII (demolition)
- Barry, The City of Domes (1915), ch. V; Court of the Universe notes (203 ft)